butterfly: (Naked Angel)
[personal profile] butterfly
Fraser and Angel actually have a lot in common. It's all about that knife-edge of control. Both of them are very alpha. Control freaks.

That's what Clark grows up to be. That's what Buffy learns to be. They have to keep themselves in check, always remember how strong they are in relation to the people around them. That other people are more physically fragile. It's a superpowered holding back control, which is slightly different than the control that Fraser and Angel types have, which is more the darkness-holding back control (though Fraser's darkness certainly isn't at the level of Angel's, he definitely has it).

I like the ones that constantly keep themselves in check. All that power and all that control - it's very hot.

And it's fun watching people walk that edge and seeing what can make them fall over. Well, not 'fun' so much as... fascinating, as Spock would say. Spock - one of our first fandom examples of this, actually. Stronger than human, deeply repressed, no wonder people found him intriguing. And his pairing with Kirk is also a familiar pattern - one who is repressed emotionally and the other who can provoke first to lose their control at times. A hug, some words a little too 'emotional', "have been and always shall be", the beginning of a new memory.

Buffy's an interesting case - at first, Buffy is the one who provokes (with Angel), while later, she is the one provoked (with Spike). As she grows older, we see her build that shell of control and protection around herself. And in Smallville, Clark is also 'becoming' before our eyes, as is Lex. It isn't always a pleasant process. Watching someone learn to put up more walls doesn't tend to be. Seeing the difference between Young Liam (Spin the Bottle) and the Liam is The Prodigal is such a sad thing. He's learned that trying to keep to his father's rules doesn't help him at all, and whereas in Wesley's case, Wes just kept trying to be evermore perfect (and this, I believe, would also apply to Fraser's case), Liam gave up, gave in, and let himself become what his father thought him to be.

I tend to think that Liam was an artist, even as a human - long years can give you knowledge and training, but they can't give you desire. I can't imagine Liam's father having much use for an artist type, though. Liam wanted to see the world, wanted to be somebody. He wanted the finest of things, wanted to take. But even as a demon, he didn't think that he could own. Darla certainly wouldn't stand for belonging to a creature that she'd made - made so that she could have the power in a relationship, so that she could be the one choosing a beautiful companion for once. Her own dear boy, as she'd been the 'dear one' to so many, including the vampire that sired her. No wonder Angelus thought it was amusing that Spike thought that his Sire was his.

There are moments that stay with me. In the Smallville vein, I can never forget Clark's Lex dream in Slumber. Without that, I might not have understood how deeply his terror ran about Lex discovering his secrets. In Angel, my mind flits back to Angelus, telling Darla that he planned to make Drusilla a vampire, and her expression. She tells him that "no one you keep up with you, not even me," and that's what I think about when I hear those words. He proposed something that she would have never considered. In Buffy, I will never forget what she said to Giles in The Gift - "I don't know how to live in the world if these are the choices. If everything just gets stripped away... I don't see the point."

Angel's experiencing that now. Everything just keeps getting stripped away. Now, he doesn't even have the surety of being chosen. He might not have believed in the Shanshu, but he never imagined that it could be about anyone but him. He knew that he was contested, that he was wanted, that the world would always fight to keep him. He can't stay near his loved ones. He can't confide in his friends. He can't do anything but his best and he isn't sure whether or not he's even on the right side. He's not sure what evil wants him to do. Any choice he makes could be the wrong one. Everything he touches, everything he loves, turns to ashes (sometimes literally, as in the case of Darla). And the worst parts are the parts that he did to himself. And he knows that, as surely as he knows that he'll never breach the gates of Heaven.

And the ones he loves are happiest without him in their lives. Now, we know that that isn't true (Buffy, for example), but I have no doubts that Angel believes it and that is what matters, especially this year.

Because this year is all about perceptions. Is Eve evil? Was Spike a ghost? Does being a monster change who you are, especially if your loved ones can't see a difference? What is hell? Everyone is something other than they are, especially the twisted momories crew. Appearances can be deceiving and just because someone seems to get along with people, doesn't mean he doesn't want to kill them for what they've done. Angel's standing in a graveyard in the middle of the night, and he's always wearing a mask. People can't always tell metal from flesh. And most obvious of all, sometimes the prophecy isn't the prophecy and the cup is too goldeny to truly be full of torment. And bruises aren't always real and the blood is just paint.

It's about what people believe to be true. Reality bends to desire. If you believe strongly enough and if your will is powerful enough, reality bends - at least it does in the Buffyverse. Buffy's done it many a time.

And what you feel to be true is what is true to you, regardless of the 'facts'. Buffy killed Angel, not because she physically killed him, but because she was willing to kill him.

Buffy closed a dimensional portal because she believed with everything inside her that the world wasn't worth saving if she couldn't save it this way.

Reality bends.

(no subject)

Date: 2003-12-12 06:21 am (UTC)
From: [identity profile] inyron.livejournal.com
Poor Angel. I love your description of where he is this season.

And you're making me want to watch Smallville. Is that good?

(no subject)

Date: 2003-12-12 03:39 pm (UTC)
ext_1774: butterfly against blue background (Default)
From: [identity profile] butterfly.livejournal.com
Angel makes me want to cuddle him. He really needs it.

As for Smallville, it depends. There's some truly quality stuff there, but there's also a huge honkin' Mary Sue named Lana Lang. Worse than Fred ever was, ever dreamed of being.

(no subject)

Date: 2003-12-12 06:29 am (UTC)
From: [identity profile] soundingsea.livejournal.com
Very interesting post.

Because this year is all about perceptions... An excellent recap of this year so far.

And what you feel to be true is what is true to you

So, Wesley killed his father. And Angel lost his shanshu to Spike. Neither event was "real", but both believed it was true at the moment it mattered.

Buffy closed a dimensional portal because she believed with everything inside her that the world wasn't worth saving if she couldn't save it this way.

This is the best explanation of the "Summers blood" thing I've seen. I will now believe this is how it actually worked.

(no subject)

Date: 2003-12-12 03:54 pm (UTC)
ext_1774: butterfly against blue background (Default)
From: [identity profile] butterfly.livejournal.com
Exactly. And I do beleive that Eve was telling the truth when she said she wasn't the bad guy, but what's true to her may not be true to the audience, who are, by and large, on the AI team's side.

And yeah, that's sorta how I always figured the key replacement worked. Buffy is incredibly powerful and she isn't the Slayer, hasn't been since she died the first time. The past Watcher's called her the last Guardian of the Hellmouth. And when she was revived in PG, she said, "I feel different. I feel strong." We've never heard of another Slayer who had as many prophetic dreams as Buffy (Faith and Kendra certainly didn't seem to have any - Faith's dream in TYG wasn't prophetic in the sense that Buffy's are, though you could argue that it's symbolically prophetic.). Buffy is special, always has been, and I'd argue that dying and reviving on the Hellmouth gave her powers similiar to the Hellmouth itself - to warp reality. She became connected to the power of the Hellmouth (which actually might explain why Dracula would seek her out when he hadn't seemed to feel the need to do the same to any other Slayer - why vampires are drawn to her).

(no subject)

Date: 2003-12-12 08:42 pm (UTC)
From: [identity profile] soundingsea.livejournal.com
I'm thinking Eve and her new bedmate are setting themselves up as good guys against Team Angel, who appear to have sold out to W&H (to the casual observer).

Not the Slayer? Well, she's still got the Slayer package, though the line clearly passed to Kendra and then Faith. (No new slayer in Season 6.) I like your idea about her being something more. Points to ponder.

(no subject)

Date: 2003-12-13 02:20 pm (UTC)
ext_1774: butterfly against blue background (Default)
From: [identity profile] butterfly.livejournal.com
Right, I mean, Lindsey finds out that Angel is casually killing humans (and you know that Eve mentioned that), and he's going to be thinking that Angel's sold out. Even in the days of S2, Angel didn't directly kill any of the humans, he let them be killed.

(no subject)

Date: 2003-12-12 07:08 am (UTC)
From: [identity profile] elynross.livejournal.com
It's about what people believe to be true. Reality bends to desire. If you believe strongly enough and if your will is powerful enough, reality bends - at least it does in the Buffyverse.

This is a terrific post! I started quibbling in my head, about how Clark, especially, has strength that's such a part of him, he doesn't have to think about controlling it -- then arguing back (still in my head) about how yeah, but paralleling it with other gifts of his, he had to learn to keep it in check, and we clearly see that he can lose his temper, and...

Very cool. And I agree completely about the appeal and the hotness of someone who is genuinely in control, as Clark is/will learn to be. Lex, I think, will never truly learn to be in control of himself in that way. He will have himself on a leash, he may learn the usefulness of when to let loose the leash, but I think there will always be this level of boiling rage inside that isn't in control. To me, being truly in control is a matter of balance, of checks and balances, of taking in what comes and learning to react appropriately. It's not about the clenched fist, it's about maintaining the tension on the line, about reading the Other and moving yourself to balance them, to achieve your goal without compromising yourself. And in part it's about having solid principles and acting out of them, understanding them in a way that makes them guidelines to your behavior, not objective rules to be followed thoughtlessly.

Very, very cool post.

(no subject)

Date: 2003-12-12 03:38 pm (UTC)
ext_1774: butterfly against blue background (Default)
From: [identity profile] butterfly.livejournal.com
Sadly, I don't think Lex ever makes it either. That's a tragic part, because learning that control can keep someone with that much power from slipping over the edge. And Lex couldn't find that in himself.

Right, control isn't a fist, it's much more akin to a tightrope walk.

(no subject)

Date: 2003-12-15 09:13 am (UTC)
From: [identity profile] elynross.livejournal.com
That's a tragic part, because learning that control can keep someone with that much power from slipping over the edge. And Lex couldn't find that in himself.

Yes, I think that's one thing that separates Clark and Lex, why Clark goes on to be a hero, and Lex goes on to be...whatever he becomes. I believe he'll never quite master control of himself in this way. He may achieve a repressive control, but I don't think he'll have the peace within from which to morally operate that control.

(no subject)

Date: 2003-12-15 06:15 pm (UTC)
ext_1774: butterfly against blue background (Default)
From: [identity profile] butterfly.livejournal.com
That's it. Peace. You have to find a kind of peace with who you are in order to have a real control.

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